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While self-proclaimed religious leaders argued about what was the true Islam, Bukharbayeva shows how some of the neighborhood boys became religious, then devout, and then a threat to the country's authoritarian government.

About the Author:Lynn Johnston was born in Collingwood, Ontario, and grew up in British Columbia..She has also received the Order of Canada and claims a star on Canada's Walk of Fame.

Although scholarship exists on the late 1950s and 1960s New Wave films, research that puts cinemas on 1968 into dialogue with one another across national boundaries is surprisingly lacking."The volume is organized chronologically, highlighting the shifts and developments in ideology in different geographic contexts. This half of the book begins with an argument that while the impact of Italian Neorealism and the French New Wave on subsequent global new waves is undeniable, the influence of cinemas of the so-called Global South is pivotal for the era's cinema as well.

The second section, "Aftershocks," considers the lasting impact of 1968 and related cinematic new waves into the 1970s.1968 and Global Cinema aims to achieve balance between new readings of well-known films, filmmakers, and movements, as well as new research that engages lesser-known bodies of films and film texts.Sara Saljoughi is assistant professor of English and cinema studies at the University of Toronto.